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Circling the Sun: A Novel, by Paula McLain
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NEW YORK TIMES BESTSELLER •�NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR, BOOKPAGE, AND SHELF AWARENESS�•�“Paula McLain is considered the new star of historical fiction, and for good reason. Fans of The Paris Wife will be captivated by Circling the Sun, which . . . is both beautifully written and utterly engrossing.”—Ann Patchett, Country Living
Paula McLain, author of the phenomenal bestseller The Paris Wife, now returns with her keenly anticipated new novel, transporting readers to colonial Kenya in the 1920s. Circling the Sun brings to life a fearless and captivating woman—Beryl Markham, a record-setting aviator caught up in a passionate love triangle with safari hunter Denys Finch Hatton and Karen Blixen, who as Isak Dinesen wrote the classic memoir Out of Africa.
Brought to Kenya from England as a child and then abandoned by her mother, Beryl is raised by both her father and the native Kipsigis tribe who share his estate. Her unconventional upbringing transforms Beryl into a bold young woman with a fierce love of all things wild and an inherent understanding of nature’s delicate balance. But even the wild child must grow up, and when everything Beryl knows and trusts dissolves, she is catapulted into a string of disastrous relationships.
Beryl forges her own path as a horse trainer, and her uncommon style attracts the eye of the Happy Valley set, a decadent, bohemian community of European expats who also live and love by their own set of rules. But it’s the ruggedly charismatic Denys Finch Hatton who ultimately helps Beryl navigate the uncharted territory of her own heart. The intensity of their love reveals Beryl’s truest self and her fate: to fly.
Set against the majestic landscape of early-twentieth-century Africa, McLain’s powerful tale reveals the extraordinary adventures of a woman before her time, the exhilaration of freedom and its cost, and the tenacity of the human spirit.
Praise for Circling the Sun
“In McLain’s confident hands, Beryl Markham crackles to life, and we readers truly understand what made a woman so far ahead of her time believe she had the power to soar.”—Jodi Picoult, author of Leaving Time
“Enchanting . . . a worthy heir to [Isak] Dinesen . . . Like Africa as it’s so gorgeously depicted here, this novel will never let you go.”—The Boston Globe
“Famed aviator Beryl Markham is a novelist’s dream. . . . [A] wonderful portrait of a complex woman who lived—defiantly—on her own terms.”—People (Book of the Week)
“Circling the Sun soars.”—Newsday
“Captivating . . . [an] irresistible novel.”—The Seattle Times
“Like its high-flying subject, Circling the Sun is audacious and glamorous and hard not to be drawn in by. Beryl Markham may have married more than once, but she was nobody’s wife.”—Entertainment Weekly
“[An] eloquent evocation of Beryl’s daring life.”—O: The Oprah Magazine
“Markham’s life is the stuff of legend. . . . McLain has created a voice that is lush and intricate to evoke a character who is enviably brave and independent.”—NPR
“Bold, absorbing fiction.”—New York Daily News
“Paula McLain has such a gift for bringing characters to life. I loved discovering the singular Beryl Markham, with all her strengths and passions and complexities.”—Jojo Moyes, author of Me Before You
From the Hardcover edition.
- Sales Rank: #3767 in Books
- Brand: Ballantine Books
- Published on: 2016-05-31
- Released on: 2016-05-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.00" w x 5.25" l, .75 pounds
- Binding: Paperback
- 400 pages
Amazon.com Review
An Amazon Best Book of July 2015: Sometimes a reader craves a good, old-fashioned yarn. This much anticipated novel from the author of The Paris Wife is exactly that: an engrossing story of love and adventure in colonial Africa, complete with gorgeous landscape, dissolute British ex-pats, and lots of derring-do with horses, motorcars and airplanes. That it is also the best kind of contemporary historical novel – the kind that teaches you something about the real people and events of the time – is a bonus. At the center of the novel is Beryl Markham (born – you gotta love it – Clutterbuck), the headstrong daughter of a British colonial who grew up more comfortable among the people and animals of her adopted Kenya than in the homes of its landed gentry. When Beryl’s mother leaves the family and her father gives up the farm, she marries (at 16) a gentleman farmer, a drunk too louche to be much of a husband. Like privileged but love-hungry teenage girls past and future, Beryl seeks companionship from her horses, becoming the first and greatest female horse trainer in the region. Along the way, she hobnobs with Kenyan high society, including, but not limited to, Karen Blixen (who authored her own epic story, Out of Africa, under the pen name Isaak Dinesen) and her lover Denys Finch Hatten (who will always be Robert Redford to those of us who watched him play the role in the movie version of Dinesen’s book.) Much bed-hopping and relationship-boundary-pushing ensue, with all the teeth-gnashing and yearning that goes along with it, no matter the era. Those who knew about Markham before reading this book may be surprised by how little there is about her as a pilot. She is, after all, the first woman to fly across the Atlantic from east to west, and she wrote her own memoir, 1942’s West with the Night; here, it is only in the book’s frame – a prologue and its final chapter – that we get a glimpse of the way that Beryl will, literally, soar. But McLain doesn’t seem interested in portraying her as a trailblazing feminist with an idea about changing the world; the Beryl Markham here is noteworthy precisely because she is NOT those things so much as a girl who grew up pushing back against conventions that got in her way. “But you’ve never been afraid of anything, have you?” Finch Hatten says to her in their last meeting. “I have, though,” she replies. “I’ve been terrified. . .I just haven’t let that stop me.” -- Sara Nelson
Review
“Paula McLain is considered the new star of historical fiction, and for good reason. Fans of The Paris Wife will be captivated by Circling the Sun, which . . . is both beautifully written and utterly engrossing.”—Ann Patchett, Country Living
�
“Paula McLain cements herself as the writer of historical fictional memoir with Circling the Sun, giving vivid voice to Beryl Markham, a singular, extraordinary woman. In McLain’s confident hands, Markham crackles to life, and we readers truly understand what made a woman so far ahead of her time believe she had the power to soar.”—Jodi Picoult, author of Leaving Time
�
“Enchanting . . . A worthy heir to [Isak] Dinesen, McLain will keep you from eating, sleeping, or checking your e-mail—though you might put these pages down just long enough to order airplane tickets to Nairobi. . . . What’s certain is that the reluctantly earthbound armchair reader will cherish this gift for the hidden adventurer in all of us. Like Africa as it’s so gorgeously depicted here, this novel will never let you go.”—The Boston Globe
�
“Famed aviator Beryl Markham is a novelist’s dream. . . . [A] wonderful portrait of a complex woman who lived—defiantly—on her own terms.”—People (Book of the Week)
“Circling the Sun soars.”—Newsday
“Captivating . . . [an] irresistible novel.”—The Seattle Times
“Like its high-flying subject, Circling the Sun is audacious and glamorous and hard not to be drawn in by. Beryl Markham may have married more than once, but she was nobody’s wife.”—Entertainment Weekly
�
“[An] eloquent evocation of Beryl’s daring life.”—O: The Oprah Magazine
“Richly textured . . .�Markham’s life is the stuff of legend. . . . McLain has created a voice that is lush and intricate to evoke a character who is enviably brave and independent.”—NPR
�
“Bold, absorbing fiction.”—New York Daily News
“Paula McLain has such a gift for bringing characters to life. I loved discovering the singular Beryl Markham, with all her strengths and passions and complexities, a woman who persistently broke the rules, despite the personal cost. She’s a rebel in her own time, and a heroine for ours.”—Jojo Moyes, author of�Me Before You
“By the last pages, readers will hate to say goodbye to such an irresistible narrator.”—Miami Herald
�
“Paula McLain brings Beryl to glorious life, portraying a woman with a great many flaws that seem to result from her zest for life and inability to follow the roles expected of women in the 1920s and ’30s.”—St. Louis Post-Dispatch
�
“Amelia Earhart gets all the airtime, but this pilot had the juicier past. . .�. McLain crafts a story readers won’t soon forget.”—Good Housekeeping
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“With a sharp eye for detail and style to spare, Paula McLain captures the nuances of complex relationships, the rigidity of social conventions, and the wide skies and breathtaking vistas of Africa.”—Christina Baker Kline, author of�Orphan Train
�
“Set in 1920s Kenya, this fictionalized history of the beautiful, high-flying aviator Beryl Markham is as luminous as its headstrong heroine. An exhilarating ride.”—Family Circle
“Paula McLain is yet another twenty-first-century woman who can write rings around the hyper-masculine men who dominate so much of American fiction.”—Liz Smith
�
“McLain’s skill at blending fact and fiction, which dazzled readers in The Paris Wife, is on full display. . . . Circling the Sun is a masterful story of hardship, courage and love.”—Shelf Awareness
From the Hardcover edition.
About the Author
Paula McLain is the author of the novels The Paris Wife and A Ticket to Ride, the memoir Like Family: Growing Up in Other People’s Houses, and two collections of poetry. She has received fellowships from Yaddo, the MacDowell Colony, and the National Endowment for the Arts. She lives in Cleveland with her family.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Unremarkable; Read West with the Night Instead
By Steven M. Anthony
This is a novel of historical fiction, taking as its subject the life of Beryl Markham, an English woman who grew up and spent much of her time in British East Africa (Kenya). Ms. Markham was quite a free spirit and trailblazer, undertaking many activities (horse training and aviation) that were strictly the province of males at the time.
This novel is very simply written and largely unremarkable. In a move certainly meant to raise interest and boost sales, many of the characters overlap with those of Isek Dinesen’s Out of Africa. You’ll find Baroness Karen Blixen, Denis Finch-Hatton, Lord and Lady Delamere, Bror and Barkley playing prominent roles. Not being aware of the actual history of Ms. Markham, it is hard to tell how much artistic license is taken here, though I don’t doubt that the English ex-pat community in Kenya was a tight knit group.
Again, the writing is very pedestrian and the characters rather two dimensional. Having been to Kenya, it is a pleasure to relive the landscapes and cultures, but this book does little in my opinion to bring those things to life. Overlapping so much with Out of Africa is a double edged sword, because the writing in this case pales by comparison.
Markham was largely a horse trainer by birth (following in her father’s footsteps) and training. It is therefore inexcusable that the author would make some pretty basic errors in both terminology and practice when dealing with her profession. She repeatedly refers to Markham purchasing yearling and two year old “studs”. Studs are breeders. Prior to age four, male thoroughbreds are referred to as “colts”, thereafter “horses” until sent to the breeding shed, at which point they become “studs”. She refers to a yearling “stud” undergoing training. Yearlings are too immature to undergo training (not the same as “breaking”), and do not race until age two. The type of races referred to by the author (1� miles) would not be undertaken by a two year old colt and certainly not against far stronger older horses.
The novel also largely papers over the widely acknowledged affair between Markham and the Duke of Gloucester, Prince Henry, in effect insinuating that it never happened. This despite the fact that the Prince paid her an annuity for the remainder of her 83 year long life. Given her impressively long string of lovers (both while married and single), it is doubtful that her friendship with the Duke was platonic.
Finally, in the Acknowledgements it is disclosed that Ms. Markham penned an autobiography of sorts, West with the Night, which was hailed by Ernest Hemingway as being beautifully written. Given a choice between the two, I can’t imagine you’d read this instead.
5 of 5 people found the following review helpful.
Some things good; some not
By cj reads
Circling the Sun—My thoughts
Thirty some years ago I read Out of Africa, West with the Night, and biographies of both Beryl Markham and Karen Blixen. I was mesmerized by the characters of Beryl and Karen and their intertwining lives and also by the glimpses of Africa gleaned from their writings. So I was anxious to revisit the characters and places in Paula McClain’s new novel about Beryl Markham, Circling the Sun.
In some ways it was a rewarding read. McClain’s prose is lush, fluid, crisp. I noted that McClain has a degree in poetry, and her writing style attests to that fact. The novel covers the span of Beryl’s life from childhood to her thirties. I feel that McClain did a fine job of pulling out the important phases of Beryl’s life during that time frame and connecting them together in a compelling narrative. Also, I applaud McClain’s depiction of Beryl as strong willed and self-determine. And more importantly, we see that Beryl is talented and competent in her pursuits of horse training and later flying.
But I feel there are other aspects of Beryl’s characterization that miss the mark and do so by a long shot. Beryl is endowed with a wisdom and philosophical bent that can only come from years of living. The bride of 16 in the novel seems more patient, more knowing, more socially skilled than the characters around her. McClain does rightfully depict Beryl as a character who is victimized by the abandonment and betrayal of family and friends, but the Beryl of the novel rises to a level of magnanimity and nobility that doesn’t match the depictions of her in the conversations and writings of her contemporaries and biographers. In Circling the Sun, we see a wounded Beryl who comes to the aid of her faltering parents and who chooses to simply ignore the vicious rumors that plague her life. We are lead to believe that tales of Beryl’s ruthless pursuit of unattainable men and her shocking disregard for friendships and pubic decorum are concoctions fostered by gossips and society vigilantes. I don’t think so. There are too many witnesses, too many friends, too many sources and biographers who paint Beryl as an opportunist with little regard for the feelings of others.
So I find McClain’s portrait of Beryl nearly impossible to accept, and I find it hard to believe that McClain actually holds Beryl in such pristine regard. She (McClain), after all, has read the same bios and articles I have. McClain tells us that she found a kinship with Beryl because she, too, was abandoned by her mother at an early age, only to have her own mother reappear when she was in her 20’s in the same way that Beryl’s mother did. So then, hmmmm . . . perhaps McClain has over identified with her character, and the Beryl she has created is mythologized in a way that is untrue to her and also unfair to Beryl and to us, the readers. Beryl’s true merits and accomplishments are well worth exploring and celebrating, and I believe she can be viewed as a more complex character and still a sympathetic character when the dark side of her personality is part of the narrative.
Interestingly enough, I came across an article in Town and Country magazine “An Insanely Glamorous Love Triangle” written by McClain herself in which she says,
"The mystery of the woman [Beryl] herself is only deepened by her writing— lyrical descriptions of paradise layered with pointed subterfuge. Instead of exposing the things that hurt her—her mother, for instance, or her father's betrayal—she romanticizes the difficulties of the natural world and of Green Hills, her father's farm, faultless as any Eden before the Fall."
Really? Yes, the descriptions are lyrical, but Beryl does not describe her father’s farm as an African paradise. And the purpose of West With The Night is not to provide an expose of her “damaged” childhood. It is rather a celebration of the life she embraced in Africa, both the good and the bad. Her vignettes are a collection of stories about encounters and friendships with the land, the animals, and the people around her.
In speaking of Karen, Denys, and Beryl, in the article Markham says, “These three were not simple people. And if they were cagey and difficult sometimes—unreliable narrators of their own lives—even so I can find something to admire in it.”
She goes on to say, “These shadows aren't visible in Out of Africa, which mythologizes Finch Hatton and over-perfects their love story.”
Those of us who have read Karen’s Out of Africa know that Karen and Denys’ love affair is not portrayed at all in her writings. Denys is only a marginal character because that is not what her book is about. Out of Africa, like West With The Night, is a collection of stories about one woman’s encounters with the African world and the people in it.
So, sorry, Ms. McClain, but I feel you are the unreliable story teller, not Ms. Dinesen or Ms. Markham. I can only appreciate and applaud a historical character brought to life when I feel it is an honest depiction. I don’t think your depiction of Beryl is an honest depiction.
4 of 4 people found the following review helpful.
A Woman True To Herself
By MaryAnn Dodd
A n enlighting historical novel about Beryl Markham and her days of growing up in Africa . Her mother left her and her husband to return to England when Beryl was only four. She grew up with African children and they were her best playmates. She is pushed into marriage at sixteen to a man twice her age. She is not the regular English wife. She gets a job training horses and becomes the first licensed female horse trainer in the world. The novel is focused mainly on her skills as a trainer rather than her airplane flying years. It also tells of her love affairs with several men and especially her love of Denys Finch Hatton and her friendship with Karen Blixen.
I was captured by the beautiful descriptions of Africa and the different seasons. The life of the Colonial British in Kenya during the twenties and thirties was educational for me. I enjoyed reading about that lifestyle and the "rules" of behavior for the Colonialists.
This book has led me to read Beryl Markham's autobiography West With The Night. I have the copy with photographs. I was especially interested in seeing one of Denys Finch Hatton.
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