Minggu, 30 September 2012

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An Introductory Study on China's Cultural Transformation in Recent Times (China Academic Library), by Yunzhi Geng

This book examines in detail the basic trajectory of the cultural transformation and brings to light the extrinsic conditions and intrinsic mechanisms involved. It focuses on the period from after the Opium Wars to the New Culture Movement, as the New Culture Movement can be considered a pivotal phase in the cultural transformation of modern-day China. The New Culture Movement was a revolutionary eruption triggered by the accumulation of all the new qualitative cultural factors since the Opium Wars. Superficially, the movement’s goal seemed to be to overthrow the traditional culture. But in essence its true objective was to conduct an overall “screening” of that culture. The book elaborates a broad variety of points in this context, including: the ideological and cultural evolution following the Opium Wars; the pressing challenges faced by “Zhong Ti”; the initial shaping of social, public and cultural spaces and major trends in ideological and cultural transformation at the end of the Qing Dynasty; the political disarray and conflicts between the new and old ideology in the first years of the Republic; the rise of the New Culture Movement; and the role of conservatism in the transition to a modern culture.

  • Sales Rank: #7302822 in Books
  • Published on: 2014-10-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.00" w x 6.14" l, 1.70 pounds
  • Binding: Hardcover
  • 442 pages

From the Back Cover
This book examines in detail the basic trajectory of the cultural transformation and brings to light the extrinsic conditions and intrinsic mechanisms involved. It focuses on the period from after the Opium Wars to the New Culture Movement, as the New Culture Movement can be considered a pivotal phase in the cultural transformation of modern-day China. The New Culture Movement was a revolutionary eruption triggered by the accumulation of all the new qualitative cultural factors since the Opium Wars. Superficially, the movement’s goal seemed to be to overthrow the traditional culture. But in essence its true objective was to conduct an overall “screening” of that culture. The book elaborates a broad variety of points in this context, including: the ideological and cultural evolution following the Opium Wars; the pressing challenges faced by “Zhong Ti”; the initial shaping of social, public and cultural spaces and major trends in ideological and cultural transformation at the end of the Qing Dynasty; the political disarray and conflicts between the new and old ideology in the first years of the Republic; the rise of the New Culture Movement; and the role of conservatism in the transition to a modern culture.

About the Author
Geng Yunzhi, born 1938 in Haicheng, Liaoning Province. Graduated from the Department of Philosophy of Liaoning University in 1964. Currently a member of the Chinese Academy of Social Sciences, researcher at the Institute of Modern History and doctoral student supervisor, concurrently director of the Society of Chinese Modern Culture and the Hu Shih Research Association as well as president of the China Modern Thought Research Center. In the past forty or so years, Geng Yuzhi has consistently researched China’s modern political history, ideological history and cultural history and written some twenty books, among which are primarily History of the Republic of China, vol. 1 (co-authored), Hu Shih: Research Drafts, A Chronicle of Hu Shih, Rediscovering Hu Shih, Liang Qichao (co-authored), Western Democracy in Modern China, Collected Writings of Geng Yunzhi, Polygonum Grass Collection and Hu Shih’s Posthumous Writings and Confidential Letters. He has also published more than two hundred theses and articles. The Laboratory of the History of Modern Thought he personally set up is among the first key subjects at the Chinese Academy of Social Sciences.

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Rabu, 26 September 2012

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  • Sales Rank: #6265668 in Books
  • Binding: Sheet music

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Senin, 24 September 2012

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The Art of Hunger: Essays, Prefaces, Interviews, by Paul Auster

  • Sales Rank: #2855727 in Books
  • Published on: 2001-11-01
  • Released on: 2001-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.68" h x .72" w x 5.42" l,
  • Binding: Paperback
  • 352 pages

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2 of 2 people found the following review helpful.
Auster's Austerities
By Christopher B. Murray
This collection of essays, interviews, and prefaces explores the theme of "Hunger" (whether spiritual or artistic) in modern fiction, poetry, and art. Auster's essays celebrate (or provide a general overview of) works (or careers) of important artists, such as Knut Hamsun, Samuel Beckett, John Ashbery, William Bronk, Georges Perec, and Franz Kafka. Kafka is the subject of two essays in the book, and his story "A Hunger Artist" is for Auster a sort of template or emblem for the seriousness of the modern artist's task. Hunger, for Auster, seems to be a kind of rebellion, a reluctance to collaborate with the failures of Western culture, and yet it is, at times, both purifying and self-destructive. Auster does not present simple resolutions regarding this predicament. Rather, he appreciates the noble struggle each of these artists has waged. And though Auster seems to admire each of the figures he writes about, he is not uncritical of them. His piece entitled "Kafka's Letters" reveals his deep admiration of Kafka, yet Auster does not present the Czech author as a "literary giant", but as a man--an amazingly insightful, intelligent, generous man, who, despite his troubled inner life, managed to remain committed to his art and to his friends until his excruciating last moments. The piece exalts Kafka by humanizing him, deepening our admiration of both Kafka and Auster. "The Art of Hunger" ends with "The Red Notebooks," an interesting meditation on coincidence, which includes fascinating anecdotes from Auster's own life. In all, this is a satisfying collection of prose pieces that fans of Auster's fiction (and/or fans of the artists discussed in the book) should thoroughly enjoy.

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Minggu, 23 September 2012

[J523.Ebook] Download The Human Tradition in America from the Colonial Era through ReconstructionFrom Brand: Rowman n Littlefield Publishers

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The Human Tradition in America from the Colonial Era through Reconstruction is a collection of the best biographical sketches from several volumes in SR Books' popular Human Tradition in America Series.

Compiled by Series Editor Charles W. Calhoun, this book brings American history to life by illuminating the lives of ordinary Americans. This examination of common individuals helps personalize the nation's past in a way that examining only broad concepts and forces cannot.

By including a wide range of people with respect to ethnicity, race, gender and geographic region, Prof. Calhoun has developed a text that highlights the diversity of the American experience.

  • Sales Rank: #1268406 in Books
  • Brand: Brand: Rowman n Littlefield Publishers
  • Published on: 2002-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .89" w x 6.26" l, 1.00 pounds
  • Binding: Paperback
  • 239 pages
Features
  • Used Book in Good Condition

About the Author
Charles W. Calhoun is professor of history at East Carolina University and former president of the Society for Historians of the Gilded Age and Progressive Era.

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0 of 0 people found the following review helpful.
An interesting review of lesser known figures in American History
By Lehigh History Student
This book provides an interesting look at some of the lesser known actors in American history. From the farmwives to Hancock you get an interesting view of life during this time period. Overall the best review was on Indian figures such as Sacagawea. For those looking for a good survey textbook of this time period I would recommend this one.

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For Our Navajo People: Diné Letters, Speeches, and Petitions, 1900-1960, by Adapter-Monty Roessel; Editor-Peter Iverson

  • Published on: 2002
  • Binding: Paperback

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Rabu, 19 September 2012

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Soviet Workers and Late Stalinism is a study of labour and labour policy during the critical period of the Soviet Union's postwar recovery and the last years of Stalin. It is also a detailed social history of the Soviet Union in these years, for non-Russian readers. Using previously inaccessible archival sources, Donald Filtzer describes the tragic hardships faced by workers and their families right after the war; conditions in housing and health care; the special problems of young workers; working conditions within industry; and the tremendous strains which regime policy placed not just on the mass of the population, but on the cohesion and commitment of key institutions within the Stalinist political system, most notably the trade unions and the procuracy. Donald Filtzer's subtle and compelling book will interest all historians of the Soviet Union and of socialism.

  • Sales Rank: #2415363 in eBooks
  • Published on: 2002-07-04
  • Released on: 2002-07-04
  • Format: Kindle eBook

Review
"...the book is written clearly, provides many new details about postwar life, and should stimulate lively debate about Stalin's postwar rule." American Historical Review

"Filtzer has produced a meticulously researched study essential for anyone interested in the relationship between economic development and political democracy." Business History Review

"[A] short review cannot possibly convey the richness of Filtzer's book. Anyone interested in the Soviet postwar years will read it with much profit." The Russian Review

"Filtzer's massively researched works continue to provide valuable information..." History

"Well footnoted, indexed, and containing a full bibliography, this work is recommended for all college libraries." Choice

About the Author
Donald Filtzer is Professor of Russian History at the University of East London, and the author of numerous books and articles on Russian history.

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Rabu, 12 September 2012

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The legendary "Queen of Rockabilly," Wanda Jackson is the first woman of rock & roll. Starting out as a teenage country singer, Wanda was encouraged to move from country music to rock & roll by her boyfriend, a young entertainer also just getting started - Elvis Presley. From 1956 to 1963, Wanda recorded a string of rock & roll and country hits, achieving success both at home and abroad.

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  • Sales Rank: #2955713 in Books
  • Brand: Alfred Music
  • Model: 00-25979
  • Published on: 2006-09-01
  • Released on: 2006-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 8.75" w x .25" l, .0 pounds
  • Binding: Paperback
  • 68 pages
Features
  • Manufactured to the Highest Quality Available.
  • With True Enhanced Performance.
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Senin, 10 September 2012

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Las aventuras de la abeja Maya/ The Adventures of Maya the Bee (Coleccion Juventud) (Spanish Edition) [Feb 15, 2006] Bonsels, Waldemar and Vinyals, J. ... 8426135196

  • Sales Rank: #4740447 in Books
  • Published on: 2006-02-15
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.75" h x 5.50" w x .75" l, .50 pounds
  • Binding: Paperback
  • 150 pages

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Jumat, 07 September 2012

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The Eyes of a Stranger (Nan's Heritage Series Book 4), by Elaine Littau

Rejection was an emotion Gertie Brenan knew well. At the age of eighteen, she finds hersef at the threshold of life and comes to realize that because of the rejection of her fiance', many options are open to her. In her childhood, rejection held her captive. Now, it gives her freedom that few women of her time were afforded.

Set in the beauty of Denver, Colorado in the1860s, The Eyes of a Stranger folllows vivid characters who are fraught with conflict, sorrow, and the tenacity to build a life in the frontier of the Western United States.

  • Sales Rank: #1125278 in eBooks
  • Published on: 2013-11-25
  • Released on: 2013-11-25
  • Format: Kindle eBook

From the Author
The Eyes of a Stranger is book #4 for me. The character of Gertie appeared in #3, Luke's Legacy. She was a young woman on a train who helped the lawman take care of an infant.

When I finished writing Luke's Legacy I couldn't get Gertie out of my mind. Her story unfolded as I wrote in the month of November 2010. I thought about the mail-order brides of yester-year and wondered about the circumstances that would cause someone to leave home to go into the arms of a stranger.

This is not only a love story, but a story of dedication and sacrifice. I hope you enjoy it and hope to hear from you.

Elaine Littau, author of Christian Historical/Western Fiction

About the Author
Elaine Littau is the author of four published books and many magazine and newspaper articles. She is a mentor/coach to other authors and enjoys teaching book marketing techniques as well as public speaking for groups. Some of her favorite events have been speaking to young people about pursuing their dreams. She has been a church secretary, led women’s groups, taught pre-school, and was a mentor for the M.O.P.S. (Mothers of Preschoolers) group in her community. Her writings have also received recognition: Nan’s Journey-Named Best Christian Historical Fiction 2008 by Christian Story Tellers.com and Luke’s Legacy-Honorable Mention Christian Historical Fiction 2010 by Christian Story Tellers.com. Elaine and Terry, her husband of thirty-six years, reside on a small acreage near Perryton, Texas where they enjoy spending time with family and friends. They raised three sons and now enjoy three daughters-in-law and four grandchildren.

Most helpful customer reviews

5 of 5 people found the following review helpful.
A wonderful story; very well written
By Sanela Ramic Jurich
I enjoyed reading this book so much. The beginning was very sad. I felt pain for Gertie's mother for being so helpless and unable to keep her daughter safe and by her side. However, I found myself enjoying the story of this strong girl who was so kind and honorable. Her journey was rough, but it ended happily.

3 of 3 people found the following review helpful.
Heart felt praise
By Barbara A Riley
I read all of Elaine's books! I enjoy getting to know the characters in each book. It is fun to see the "old friends" from the previous books in the series as they show back up. This book my have been my favorite! It will be one of yours too! Make sure you have the next book in the series ordered, if not already received, because you wan't like waiting for the next book!

2 of 2 people found the following review helpful.
Hooked from the Beginning
By Amazon Customer
When I purchased The Eyes of a Stranger by Elaine Littau, the fourth story in the Nan's Heritage series, I had no idea that two pages into the book I would be unable to put it down. Having read Elaine's first novel in the series, Nan's Journey, a few years ago, I was again impressed with her great ability to tell a story that draws the reader in through intrigue, romance, adversity, and tremendous character development and dialogue. Added to the positives is the way Elaine offers hope through a relationship with Christ and the promises of God's Word. The beauty of this work is that although it is part of a series, it is certainly capable of standing on its own as great read.

Dee Dee Wike
Author of A Pleasing Aroma: Inspiring Devotions for Joyful Living

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Selasa, 04 September 2012

[G812.Ebook] PDF Download Courtesan: A Novel, by Dora Levy Mossanen

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Courtesan: A Novel, by Dora Levy Mossanen

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Courtesan: A Novel, by Dora Levy Mossanen

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Courtesan: A Novel, by Dora Levy Mossanen

Set amid the elegant ch�teaux of Belle �poque France and the closely guarded world of nineteenth-century Persian women, Courtesan unfolds with the breathtaking cinematic sweep and stunning visual grandeur of an epic film. At its heart are three unforgettable women: Madame Gabrielle, the courtesan whose fateful liaison with the shah of Persia reverberates in the lives of her daughter, Fran�oise, and her rebellious and brave granddaughter, Simone, whose journey plunges her into the cutthroat diamond trade, where the secrets of an ancient culture may hold the truth she desperately seeks.

  • Sales Rank: #1632171 in eBooks
  • Published on: 2009-11-19
  • Released on: 2009-11-24
  • Format: Kindle eBook

From Publishers Weekly
A sweeping romance with intrigues in both fin de si�cle Paris and repressive Persia, Mossanen's engrossing second novel (after Harem) follows the sentimental education of a young seductress. Though Simone knows from a young age that she's too romantic to follow her courtesan mother, Fran�oise, into the family business, her grandmother, famed Parisian madam Gabrielle (n�e Ester Abramowicz), isn't so convinced. A really handsome man, she figures, can seduce Simone, and thus initiate her into the habits of wealthy courtesans. Gabrielle sets upon Cyrus, a handsome Persian jeweler, and Simone is intrigued by the man who supplies only the rarest diamonds to the shah's court ("Was the origin of red diamonds the blood of mistreated diggers, the blazing eyes of dragons guarding illicit mines, or the tears of children forced into hard labor?" she wonders). She succumbs to his charms—but then they fall in love. Simone moves with her new husband to the rugged mountains of Persia to make a quiet life living as Jews in a Muslim country, but her happiness is short-lived. Abrupt shifts between times and locations confuse, but the engaging plot wins out. And while the sex scenes are a bit overcooked (Simone "directed the creamy gaze of her breasts" at a suitor), readers will find themselves gripped by spirited Simone's many adventures.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Raised by her mother and grandmother, two of France's most popular courtesans, Simone rejects the plush life of France for true love. When she is introduced to the Persian shah's Jewish jeweler, Simone falls in love and joins her new husband in Persia. She becomes wrapped up not only in the exotic world of Persian Jews (Simone is Jewish) but also in court intrigue and the dangerous world of diamonds. Eventually, Simone is also forced to employ some of the lessons learned at her mother's bedside. Like Mossanen's debut novel, Harem (2002), this lush and erotic story covers the lives of three generations of forward-thinking and daring women. Mossanen commits the cardinal sin of historical fiction writing: creating unlikely friendships between her characters and historical persons. In this case, Simone's courtesan grandmother is a close friend of Emile Zola (whose first and last names are both used each time he is mentioned). However, the story is sexy enough and the historical details interesting enough that few readers will mind. Marta Segal
Copyright � American Library Association. All rights reserved

Review
"A sweeping romance with intrigues in both fin de si�cle Paris and repressive Persia, Mossanen's engrossing second novel (after Harem) follows the sentimental education of a young seductress. Though Simone knows from a young age that she's too romantic to follow her courtesan mother, Fran�oise, into the family business, her grandmother, famed Parisian madam Gabrielle (n�e Ester Abramowicz), isn't so convinced. A really handsome man, she figures, can seduce Simone, and thus initiate her into the habits of wealthy courtesans. Gabrielle sets upon Cyrus, a handsome Persian jeweler, and Simone is intrigued by the man who supplies only the rarest diamonds to the shah's court ("Was the origin of red diamonds the blood of mistreated diggers, the blazing eyes of dragons guarding illicit mines, or the tears of children forced into hard labor?" she wonders). She succumbs to his charms -- but then they fall in love. Simone moves with her new husband to the rugged mountains of Persia to make a quiet life living as Jews in a Muslim country, but her happiness is short-lived. Abrupt shifts between times and locations confuse, but the engaging plot wins out. And while the sex scenes are a bit overcooked (Simone "directed the creamy gaze of her breasts" at a suitor), readers will find themselves gripped by spirited Simone's many adventures."

-- Publisher's Weekly

Most helpful customer reviews

4 of 7 people found the following review helpful.
Second Novel, Same as the First
By Ana Mardoll
Courtesan / 978-0-7432-4678-1

When I picked up Mossanen's "Courtesan" and "Harem" together at the local half price book store, I hadn't realized at the time that I could easily have just read "Harem" in order to get the salient contents of both stories.

"Courtesan" shares so many elements with "Harem" that the two books are almost functionally identical. Both books center around a multi-generational trio of women who are textbook Mary Sue characters. Grandmother, mother, and granddaughter all have implausibly-colored hair (azure blue, topaz yellow, and crimson red) and the author makes a big point of telling us that the carpet matches the drapes. Their eyes are equally implausibly colored as deep turquoise, slate gray, and golden yellow. These Jewish women serve as prostitutes to the local Persian gentry, and without any actual training they have managed to become world-renowned harlots; they even know the super-secret method to eunuch orgasms.

Incidentally, the ghosts of famous dead authors like to wallow in the big breasts and blue armpit hair of the matriarch of the family. I'm not making this up; I wish to god I was. In addition to the many famous and skilled authors Mossanen invokes sexually in this novel, she also invokes Oscar Wilde, who not only does not deserve this abuse, but I'm also fairly certain that he wouldn't be interested in these ladies, if you know what I mean.

The only real difference between "Courtesan" and "Harem", is the technique of switching point of view, timeline, and location randomly throughout the story. This is often done without signaling to the reader that a switch has taken place and what, precisely, the new narrator/setting/timeline combination is now.

The plot is largely basic, once you allow that all the main characters are two dimensional stereotypes. The grand-matriarch BlueHair of the "Honore" family (It's "ironic" because prostitution isn't usually considered an "honorable" profession.) was "forced" into prostitution when her Jewish family suffered starvation and privation during the war. However, "forced" is a bit of a stretch, since she enjoys the profession too much to quit once she is financially secure and she is adamant that her daughter and granddaughter follow in her chosen profession, even if they don't want to. The daughter, YellowHair, is more than happy to go along with this plan because she is a simple, pleasure seeking creature with very few thoughts in her head; however, the bold, beautiful, horse riding granddaughter RedHair has different ideas. When she falls in love and marries her first suitor, a rich, powerful Jewish diamond merchant, her family reacts with disapproval, which is terribly odd considering that she's single-handedly wrapped up the money and power they wanted her to get for herself. Sure, she's only servicing one man instead of hundreds, but this seems a small point to quibble over.

RedHair's True Love is a perfect husband except that he quickly gets himself murdered when he discovers that the suspicious rare "red diamonds" suddenly flooding the diamond market are a mite suspicious. He is murdered to protect the secret, in a blatant disregard for the economics of scare commodities: if the "rare" red diamonds are "flooding" the market, then suspicious or not, they're not going to hold a high value for very long. At any rate, RedHair vows to find the killer and her search is greatly aided by the face that her mother and grandmother have conveniently serviced everyone worth knowing in the jewelry industry, and a certain key player has a lifelong obsession with crimson red hair and has *never* found a true red head until he's presented with RedHair.

Like "Harem", "Courtesan" is plagued with frequent sex scenes that are not erotic and fail to advance the plot. Most of them revolve around some kind of kink: oddly colored female body hair, exhibitionist urination, eunuch orgasm, and so on. Also, Mossanen has still not learned that an author should show, not tell, so the pages and pages that tell us the personalities of her characters are quite worthless and would have been better served to be replaced by a few pages showing us their actions, thoughts, dreams, and/or desires. As it is, it is clear that these women do not HAVE desires except the most one-dimensional caricatures possible.

~ Ana Mardoll

6 of 7 people found the following review helpful.
A historical fiction novel focusing on the theme of professional seduction and sex
By Bookreporter
The author of HAREM, Dora Levy Mossanen's latest work is COURTESAN, which, like her previous novel, focuses on the theme of professional seduction and sex. COURTESAN's protagonists are three women from three different generations: Madame Gabrielle, the matriarch and grandmother of the d'Honore family; Gabrielle's daughter, Francoise; and Simone, Francoise's daughter. Both Gabrielle and Francoise are courtesans --- high-priced French prostitutes. They're wealthy and powerful and have been in bed with many wealthy and powerful men. Simone, however, is repulsed by this life and believes in true love. Gabrielle tries her best to convince Simone otherwise, introducing Simone to her world by persuading a Persian jeweler to be Simone's first experience. Unfortunately for Gabrielle, Simone and Cyrus fall in love, marry, and move away to Tehran against Gabrielle's wishes.

The first half of the novel reads like a romance. The focus then shifts to Cyrus and his work with red diamonds. There is a mystery associated with these diamonds, as Cyrus thinks he's discovered something that is illegal and tries to determine what it is. When he disappears and is thought to be dead, Simone goes into mourning but is then determined to find out what happened to Cyrus --- and eventually finds herself in the middle of this mystery.

Cyrus courted Simone with red diamonds when he first met her, and he also wore a red diamond in his ear. The diamonds are central to their story, but at the same time Simone's need to be her own person and not the courtesan her mother and grandmother want her to be drives the story.

The shifts in time Mossanen employed throughout the book were not to my liking as they were choppy and without rhythm, but this did not detract from my enjoyment of the book. What I found most pleasurable were the characters and backdrop of the story. 1900s Persia and Paris offer a romantic setting amid the world of the wealthy courtesans. Madame Gabrielle, with her ability to speak to spirits, was especially fun to read about. She has all sorts of wonderfully interesting dead spirits hanging around her, including Franz Liszt and Oscar Wilde, and they can be found floating under her armpits and sitting on her breasts, giving advice or commentary. Very lighthearted bantering goes back and forth between Gabrielle and her many old lovers --- some long gone, others only recently deceased.

The character of Simone stood out because she's strong and not afraid to defy her family's "heritage." The most riveting part for me was learning about the true history of Simone's family and the fact that Gabrielle had hidden from her daughter and granddaughter their real identity and where they came from.

What Mossanen does best in her books is detail beautiful historically romantic settings and describe characters in such a way that they all come to life as on the big screen. Her stories span long periods and her characters' lives are based on history, but there is always that touch of the spirit world that sneaks into her stories. While COURTESAN could have used more structure, it was enjoyable and I'm looking forward to more of Mossanen's work.

--- Reviewed by Marie Hashima Lofton [...]

3 of 3 people found the following review helpful.
Just wasn't good enough
By Chandler Price
The characters were poorly written, and Simone never spends enough time or thought with any other character to make it believeable or to make us care. (including her husband, as they fall instantly in love, they move away, he gets shot.) I've read other books with quick pacing, but here everything is just too convienient, there is no real struggle, and I couldn't believe any of it.
There are also weird devices like her grandmother having spirits of her past (dead) loves hiding in her armpit, cleavage ect. who talk to her, or sing loudly and distract her thoughts. What was that about? I found it extremely annoying and distracting.
It was ultimately a dissapointment, because the setting deserved a better story. Can't say I'll be looking for any more of Ms. Mossanen's work.

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