Epeopiachu: Juli 2012

Rabu, 25 Juli 2012

[T453.Ebook] Download PDF African Muslims in Antebellum America: Transatlantic Stories and Spiritual Struggles, by Allan D. Austin

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African Muslims in Antebellum America: Transatlantic Stories and Spiritual Struggles, by Allan D. Austin

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A condensation and updating of his African Muslims in Antebellum America: A Sourcebook (1984), noted scholar of antebellum black writing and history Dr. Allan D. Austin explores, via portraits, documents, maps, and texts, the lives of 50 sub-Saharan non-peasant Muslim Africans caught in the slave trade between 1730 and 1860. Also includes five maps.

Sales Rank: #288483 in Books
Published on: 1997-04-25
Released on: 1997-06-12
Original language: English
Number of items: 1
Dimensions: 9.02" h x .49" w x 5.98" l, .64 pounds
Binding: Paperback
216 pages

Amazon.com Review
A condensation and updating of the author's African Muslims in Antebellum America: A Sourcebook, this book features the stories of nearly 80 Africans brought to America as slaves between 1730 and 1860. What was unusual about these slaves is that they were Muslims and that they left some sort of documentary record of their presence. Many came from elite classes--one was a military officer, several were schoolteachers, and another was studying to become a religious leader. Using the fragments of evidence still available, Allan D. Austin tells a compelling story that illuminates aspects of American history that are too little known.

From Library Journal
In this updated condensation of his African Muslims in Antebellum America: A Sourcebook (1984), Austin sketches the experiences of some 75 Muslims seized in sub-Saharan Africa and enslaved in North America between 1730 and 1860. Expanding his commentary and condensing his excerpts from autobiographical or biographical narratives, Austin develops the character of individual Muslims more than in his sourcebook. He illuminates their lives and thoughts in ways that reveal the embarrassing limits imposed by race and religion on general historical understanding of first-generation Africans in America. A complement to Richard Brent Turner's Islam in the African-American Experience (LJ 6/1/97), this work is essential for collections on early America, African Americans, and U.S. history or religion or Islam in the United States.?Thomas J. Davis, Arizona State Univ., Tempe
Copyright 1997 Reed Business Information, Inc.

Review
"Austin uses historical documents, including photos, to tell adventurous, distressing and sometimes funny stories of enslaved African Muslims between 11730 and 1860. All left some record of their presence in America.."
-Navid Iqbal, "The Star-Ledger, Newark, New Jersey
..."highly recommended...."
-"The Journal of American History
..."attractively produced...."
-Journal of Southern History, Feb 1999 Vol.65, No. 1
"Austin offers meticulously researched profiles of Muslim Africans who lived during the antebellum era
."
-"Amsterdam News

Most helpful customer reviews

13 of 14 people found the following review helpful.
A very important work
By Jonathan Reynolds
Austin's book brings to light an under-examined aspect of African Islam's role in early North America. The short biographical stories of African Muslims have never failed to capture students' imaginations in my classes. A good read and an excellent addition to reading lists for American and African-American History surveys.

8 of 9 people found the following review helpful.
An Excellent Account
By Hanif Yazdi
The book is certainly an excellent source of knowledge about a unique facet of the transatlantic slave trade that is frequently overlooked and marginalized. This account, describing the lives of dozens of African Muslims in North America and elsewhere in the New World should serve as a catalyst for further study into the roots of the Muslim American experience. The less than perfect score is due less to the author's compilation, and more to the dearth of extant sources available for analysis. A more in depth study into the lives of existing Muslim communities in places like British Guyana and in Trinidad would likely yield a more comprehensive picture. The account is excellent, but it is by no means definitive, and much research remains to be conducted and codified.

9 of 15 people found the following review helpful.
a very good book
By Haseeb
This book is nine chapters of mostly biographical information of muslims from west africa who got caught in the north american slave trade. The first two chapters are an overview the muslims and historical accounts. Chapters 3-9 concentrate on the lives of some of the most well known muslims and what others wrote about them.
The reason why I didn't give this book five stars is because of the author's use of Ar-Rahman as if it is Ibrahim 'adurraHmaan's last name. In the muslim faith, it is blasphemous to refer to a person as Ar-RaHmaan or any of the other names of allah (god). This may seem like a small issue to most, but it is a very serious issue because the author is showing his ignorance of Islam and spreading ignorance among the readers who know little or nothing about Islam. The readers of this book will see the casual use of ar-Rahman and think that it's ok to use it for short 'adurraHmaan. Since the author has a Ph.D, I think he should have had knowledgeble muslims read through his book before publication.

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Selasa, 24 Juli 2012

[X320.Ebook] PDF Download What Maisie Knew, by Henry James

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What Maisie Knew, by Henry James

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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Published on: 2012-05-17
Released on: 2012-05-17
Format: Kindle eBook

Review
“Reading Henry James is like putting a new faculty to the test. This is the true morality.”—Anita Brookner

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

From the Inside Flap
In the aftermath of an acrimonious divorce, young Maisie Farange finds herself shuttled back and forth between her father and mother, both of them amoral and monstrously self-involved. After her parents find new spouses—and after the new spouses find themselves drawn to each other, as much for Maisie's sake as their own—Maisie feels even more misplaced. As she observes the world of adults and their adulteries, and finds herself in the position to decide her own fate, Henry James's rendering of her child's-eye view—his depiction of what precisely Maisie knows—draws the reader into this scathing satire of social mores and insightful meditation on familial dependence. This Modern Library Paperback Classic of James's 1897 masterpiece is set from the definitive 1908 New York Edition.

Most helpful customer reviews

93 of 96 people found the following review helpful.
Good insights into vicious divorces with children
By bonewriter@compuserve.com
Never mind the thickets of subordinate clauses. Henry James could look at ugly situations and use them as a means to explore human nature. Written about a century ago when divorce was rare, the novel deals with a little girl whose value to her appalling parents is as a weapon to use against each other. If that wasn't bad enough, nearly everyone who shows the child some kindness has a reason for doing so other than her welfare. What makes this other than pathetic is Maisie herself. She watches the adult's grim game of musical spouses with utter clarity. She may not understand everything she sees, but she is without illusions. She observes, she watches, she copes. Mrs Wix is appalled by Maisie's acceptance of her stepparent's adultery. What Mrs Wix doesn't understand is that Maisie has no conception of conventional morality. How could she? It certainly makes for an interesting protagonist. Maisie may be a strange little girl, but it is because she has lived a strange little life. Shs is more a miniature woman than a little girl because the twisted adults around her have stolen her childhood. In this, James was prophetic of what we have done to our children since he penned this novel at the dawn of the twentieth century.

51 of 54 people found the following review helpful.
Several Turns of the Screw
By Roger Brunyate
What hubris to review a work by such a major novelist as Henry James, even though WHAT MAISIE KNEW may not be one of his major novels! All the same, a review can perhaps be useful in two regards: by commenting on this particular edition, and by suggesting how the novel might appeal to those familiar with other James works but not this one.

The Penguin Classics paperback is crisply printed, comfortable in the hand, and well annotated. There is also an excellent essay by Paul Theroux. It gives too much away, I think, to be read as an introduction, but it does make a helpful afterword. If you do read the essay first, which is how it is printed, it may seem that Theroux has revealed virtually the entire plot, but in fact this is not so. James's narrative exposition is unusually swift in this book, and a lot happens very quickly, but his main interest lies in exploring the psychological depths of the situation that he has established; there is a distinct change of gear at roughly the halfway point of the book.

As Theroux points out, the novel is generally considered a transitional work between James's earlier style and his later one. Theroux also locates this gear-change at the point where James ceased writing in longhand and started dictating his novels to a stenographer -- a crisis described so well by Colm Toibin in his biographical novel, THE MASTER. The first half of the book shows a leanness of style and also a great sense of humor not often associated with the author. But the book's premise is intrinsically comic: Maisie, a five-year-old girl, observes the doings of the adults around her as she is shipped from household to household in consequence of her parents' divorce, as the parents take lovers and remarry, and then as virtually everybody else in the story takes other lovers. The humor comes from the fact that while Maisie understands so little at first, the adult reader quickly picks up what is going on. The spider symmetries of the expanding web of sex make a formal pattern as clear and intricate as a dance, illuminated by James's dry wit and his beautiful ability to see through childish eyes.

Several things change at the half-way point. Maisie becomes old enough to understand a little more. The adults whom she had previously observed from below now become more conscious of her as a potential ally and start using her unscrupulously to further their own ends. Twists of the plot which had at first seemed only amusing now appear as quite nasty turns of the screw, as Maisie's affections and loyalties are forced into the vise. Questions of morality come to the fore, and eventually dominate the action. The narrative tone also changes; although Maisie's knowledge and moral awareness develops considerably, James is forced into using his own voice to describe it, as though Maisie herself has lost the words to follow her own farewell to childhood.

The reference above to THE TURN OF THE SCREW is deliberate, for WHAT MAISIE KNEW (1897) seems almost like a preliminary draft for the more famous story, published in the following year. Yes, there are differences: this is comic rather than tragic, complicit rather than mysterious, and much less hermetic. The child heroine appears to come through with more wisdom and less trauma than the situation might have caused. But the final scene is astonishingly close to the ending of the later story: a struggle for control of a once-innocent child waged between a humble governess and two charismatic figures who exert a powerful hold both on the child and on each other. Only the ending is different, though no less worth waiting for.

A NOTE ON THE MOVIE. I have just (June 2013) seen the movie based on the book. It is a beautiful piece of work, with a remarkable naturalness to the acting, especially from the girl who plays Maisie. It is updated to contemporary New York, but loses surprisingly little; the child's-eye view is created by the camera rather than words, and its visual elegance is a fair translation of James' prose. The other two main changes largely cancel each other out. It is a sad movie, because (other than the wide-eyed trust of the little girl, which is a two-edged sword) the camera has no equivalent for James' humor. On the other hand, it stops a little more than halfway through the book, thus sparing us the depths of cynical manipulation to which James' Maisie is subjected at the end, and offering the suggestion of a happy ending.

25 of 25 people found the following review helpful.
Another unique study by James
By Giacomo C.
While this novel is a less popular work than some of the author's others, it should not be dismissed as a minor one. James' prose is refreshingly complex - a true balm in these illiterate times - and his narrative bears his distinctive creative style.

Maisie is somewhat different in style from James' other works, but this is not a lapse in quality but rather a testament to his versatility as an author - he was not stuck in one particular mould. The choice of subject matter is fairly unique - I don't know of any other novels that deal with these topics in quite the same way. Social mores may have changed since James' time, but the way children are effected by such events remains the same. The story is narrated, but we see the events unfold through the child's eyes. The numerous dialogues between Maisie and her various adults portray brilliantly the veiled manner in which children are spoken to about 'inappropriate' subjects, and the vague scarcity of key details which a child should not be allowed to know is left to the reader to be unraveled. In this unraveling the reader is given a tangible sense of the child's confusion, her struggle to comprehend these unexplained happenings with her lack of definite information. It is James' intention that the reader should share in this confusion - that there should be some struggle to piece together what is occuring out of the direct line of sight. This helps to create a connection between the reader and the little heroine.

Some criticize the novel for its consistantly dark tone - but this is hardly a basis on which to assign value to the work (or any work for that matter). Furthermore, what other tone could the novel have? This is after all an exploration of a group of supposed adults behaving very badly indeed towards a helpless child. The moral qualms are not all rooted in the Victorian age, many remain just as topical today as then - which is in itself quite an achievement.

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Senin, 16 Juli 2012

[P516.Ebook] Ebook Download Face Paint: The Story of Makeup, by Lisa Eldridge

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Makeup, as we know it, has only been commercially available in the last 100 years, but applying decoration to the face and body may be one of the oldest global social practices. In Face Paint, Lisa Eldridge reveals the entire history of the art form, from Egyptian and Classical times up through the Victorian age and golden era of Hollywood, and also surveys the cutting-edge makeup science of today and tomorrow. Face Paint explores the practical and idiosyncratic reasons behind makeup’s use, the actual materials employed over generations, and the glamorous icons that people emulate, it is also a social history of women and the ways in which we can understand their lives through the prism and impact of makeup.
�

Sales Rank: #25417 in Books
Published on: 2015-10-13
Released on: 2015-10-13
Original language: English
Number of items: 1
Dimensions: 10.38" h x .88" w x 8.50" l, 2.54 pounds
Binding: Hardcover
240 pages

Review
“Makeup artist and Lancome global creative director Lisa Eldridge drops serious knowledge in Face Paint, her book on the history of beautifying.” (Marie Claire)

“Face Paint delves into the history of makeup, with glossy pictures to match . . . the book’s cover is striking.” (New York Post)

“Clear your coffee table and turn off YouTube—Lisa Eldridge’s book is a must read.” (Teen Vogue)

About the Author
Lisa Eldridge is one of the most respected and experienced makeup artists in the industry. She has worked on the faces of some the world's biggest and most glamorous stars, including Kate Winslet, Keira Knightley, Lily Collins, and Emma Watson, and with international publications such as Vogue, Elle, LOVE and Harper's Bazaar.�Having previously held�creative directorships, ambassadorial and developmental roles for leading brands including Shiseido, Chanel and Boots No7,�Eldridge is currently Global Creative Director for Lanc�me.�The first professional makeup artist with her own dot com, since the launch of Eldridge's website,�lisaeldridge.com, she has developed a large, global online following, while�maintaining�a high editorial profile.�After living and working in Paris, New York and Los Angeles, Eldridge is now based in London. Her bestselling first book, FacePaint, is an�accumulation�of years of research into the history of makeup.

Most helpful customer reviews

51 of 53 people found the following review helpful.
A fascinating look at our fascination with makeup
By Leanne
I've been a huge fan of Lisa Eldridge for several years, and eagerly pre-ordered this book when it was first available for pre-order several months ago. When Eldridge first revealed more details about the book, I had initially been disappointed that this was going to be more of an overview of makeup throughout history rather than a how-to book, but the more I read about it on her blog -- and now that I have it in my hands -- the happier I am with it. If you love makeup and are interested in how we have used it throughout history to define and create our personae, you'll really love this book.

This is a big, colorful book -- one full of glossy images and lots of eye candy. Eldridge not only looks at how we have used makeup throughout history to add glamour into our lives, but she also takes a look at the appeal of icons like Twiggy and of certain colors, like red, white, and black.

The book is really well-researched, and Eldridge teases out all the interesting bits about makeup, like how it was made in ancient times and why we have always seemed to be intrigued by using it to empower ourselves. As a history devotee, I loved reading all of this information, and both the inclusion of historical photos and the retro photos added a special dimension to this book.

If you're looking for how-to books, I'd recommend Making Faces and Sonia Kashuk Real Beauty (which is out of print, but which is worth tracking down since it has so much great information in it, much better than the information in the two Bobbi Brown books I have).

Although makeup can be used to hide features we'd rather keep hidden, Eldridge emphasizes that it's makeup's ability to allow us to tap into our creativity and sense of play that has continued to make us obsess about it for so many hundreds of years. Eldridge captures that spirit of fun throughout this book, and I highly recommend it.

28 of 29 people found the following review helpful.
In which I gush and hope Lisa reads this...
By TillySpeaks
I pre-ordered this fabulous book and it was waiting for me when I got home. Luckily today was a take-out kind of day, so I snuggled up, chowed down and feasted my eyes upon the fabulous facts of makeup. I love that this book is by no means a how-to, which is refreshing since so many makeup artists turn authors seem to directly fall directly into that category. As a subscriber of Lisa's on Youtube, I have been blown away by her real passion for makeup, not just in its application, but also in it's creation. She is one of those rare people that has mastered what she does and loves what she does.
This passion shines through in her book.
Lisa takes you through some of the most fascinating periods of history and shows you just how integral makeup was, whether it as approved of at the time, or not, and it's amazing impact on the sociopolitical climate of the times. Now, if that's too historical for you, don't fret.
This never feels like a history lesson.
Every page has large beautiful prints of vintage makeup cases and advertisements,queens and courtesans, scans of paintings and sketches, all geared toward the world of cosmetics and its fascinating ride through the ages. I read it cover to cover, then went back and read it again. Every paragraph and every page there is a plethora of enthralling facts and histories for your mind to learn. Even better is she doesn't beat around the bush with women's struggles in society and how makeup played a large part in their freedom or lack thereof.
As a side note, I was blown away to learn that the argument men make against makeup wearing because it "lies" to them and makes women "deceptive" is an argument that dates back to Ancient Greek and Roman times. (Prepare to see Socrates in a whole new light.)
There aren't enough words to describe the level this book is on. This is a fascinating read for beauty guru, anthropologist and historian alike. Lisa Eldridge reaches across the great divide and pulls everyone in with this accomplished and masterful work. Turning the tides against people who view makeup and fashion as shallow and vapid and showing them just how rich and wonderful the cosmetic side of the world really is.
Thank you, Lisa. I can't wait to see what you do next!

12 of 12 people found the following review helpful.
Beautiful & Stunning History of Makeup
By I'm An Amazon
Lisa Eldridge is my favorite makeup artist – HANDS DOWN. She gives a brilliantly written history of makeup accompanied by stunning photographs. A must buy if you're into art, history, and makeup.

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Kamis, 05 Juli 2012

[Z456.Ebook] Free PDF Corporate Bonds and Commercial Paper: Debt Equity Markets (Risk Management Series)From Global Professional Publishing

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� Worked examples illustrating key points
� Explanation of complex or obscure terms
� Full glossary of terms

The titles in this series, all previously published by BPP Training, are now available in entirely updated and reformatted editions. Each offers an international perspective on a particular aspect of risk management.

Topics in this title include bond prices and yields, making a corporate bond issue, survey of bond markets, medium term notes and commercial paper, and credit ratings.

Sales Rank: #4430873 in Books
Published on: 2002-02-02
Original language: English
Number of items: 1
Dimensions: 9.20" h x .70" w x 6.40" l, 1.15 pounds
Binding: Hardcover
160 pages

About the Author
Brian Coyle is a former director of BPP Training.

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